Eel (bottom)

Every female eel to warm to you swim to the Hokkaido to spawn, and happened to come with the sperm of male eel, so they encountered was pregnant.

This implies that it is directed by Imamura Shohei arrangement of two reminders. In this, he used the eel, lunches and letter outlines a path of emotional shift deformation. The letter, in fact, is the mountain of demons, summed up in just a little of that inner discrete is the collapse of the real target. If the exchange relationship between breakpoints and smooth bridge, he imagined how can rely on the inference wife derailment. In total hidden behind the animal of the humanity of the weak and excuses, the more you can't face the things you will always find some reason to escape so escape the destruction or aggressive. Lunch, was once a mountain with his wife's unique emotional ties, it contains a good thoughtful and warmth, so Imamura Shohei it symbols into a feeling of giving. This front-end to lunch guizi stand the wait, it is a bridgehead on the imagery best description. Mountain heart enemy but suffering, cannot accept guizi love. When he finally emerge from the shadows of evil plaguing and kink, lunch is a ceremony of recognition.

The eel "got the 1997 Cannes Golden Palm (first prize is a 1983 's" Narayama "), then Imamura Shohei has 72 years old, really healthy and strong.

From Ozu Yasujiro's Assistant entered the film industry, Imamura Shohei acquisition by Ozu's faithful narrative of the psychology and vision. Ego bar 40 years, he has been concerned at the lower body and the lower class, which makes his works more like a real scalpel, cutting with Japan's national character. Life and death, and the old ways, sex and culture, in his lucid narrative style is one of the explicit. In camouflage, facing of tearing taboo sex culture, Imamura Shohei and Oshima Liangzhu distinct, he thinks he is a farmer, and the big island Liangzhu is Samurai. Yamashita's play, Japan famous actress bondage the wide Division said, Imamura Shohei is Japan film "treasure". The Kine Law Department of the "100 Best 20th century Japan film" award, Imamura Shohei work accounted for 6, second only to Akira Kurosawa and big island platforms.

The eel "tells a baristas personnel experience, past crimes of shadows in real life in the heart of resilience and redemption.

Worldly vision and care stay, from two opposing angles to consider the human value of recovery. Eel, however is a guise, a symbol, as stated in the mood for love "week Mo-Wan in Cambodia and the cavities. When a person is unable to talk from the heart to others and self tortured pathos, which becomes a valuable export. Maybe after healing, we forget the original drug, but the export will not be air dried salacious as it in my heart to leave marks is so deep.